Première Symphonie (Symphony No. 1 in D minor), Op. 42 by Alexandre Guilmant is a grand romantic work originally composed for organ and later adapted for organ and orchestra. Written in 1874, the symphony showcases Guilmant’s mastery of counterpoint, lyrical themes, and the dramatic possibilities of the organ. Structured in three movements, it combines symphonic form with virtuosic organ writing, blending solemnity and brilliance. The piece remains a staple in the organ repertoire and highlights Guilmant’s contribution to the French symphonic organ tradition.

1. Introduction and Allegro (D minor)

The first movement opens with a solemn and majestic introduction, showcasing the grandeur of the organ. It then moves into a vigorous Allegro filled with lively themes, contrapuntal development, and dramatic contrasts. Symphonic in scope, this movement displays Guilmant’s command of structure and expressive intensity.

2. Pastorale (A major)

The second movement is calm and lyrical, written in the style of a pastoral. It evokes a serene, almost meditative rural atmosphere through gentle melodies and transparent textures. Guilmant’s sensitivity to tone color and melodic line is especially evident here.

3. Finale: Allegro assai (D major)

The final movement is brilliant and celebratory. It begins with a powerful opening and progresses into a triumphant Allegro marked by virtuosic organ passages and radiant harmonies. The symphony concludes with an energetic and uplifting coda, ending the work on a majestic and victorious note.

Together, these movements form a landmark of the French symphonic organ tradition and illustrate Guilmant’s fusion of classical form with romantic expression.

Erik Somers made an arrangement for windensemble and Organ. ( 2 flutes, 2 oboe, 2 clarinets, 2 bassoons, 4 horns, stringbass, timpani & Organ)

• Preview (pdf)
• Première Symphonie/Guilmant – Score

• Beluister sample (mp3)
• Live opname Hayo Boerema, organ & ensemble Harmonie St. Michaël van Thorn